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Blog #44 Cinematography Analysis: Spider-Man (2002)
cinematography, analysis Dillon Cleary cinematography, analysis Dillon Cleary

Blog #44 Cinematography Analysis: Spider-Man (2002)

Let’s talk Spider-Man—the original one.

A lot of people have strong feelings about this classic, especially when they compare it to the polished new films from Marvel Studios. Whatever your preference, it’s clear that this film has heart—a lot of it. It’s shot on film, and definitely has an aged look. Some might call it nostalgic…

Here are the tech specs:

Shot on film using Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera and Panavision Primo Primes Spherical Lenses

Don Burgess - Cinematographer

Aspect ratio: 1.85:1

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Blog #43 Cinematography Analysis: Deadpool and Wolverine (2024)
cinematography, analysis Dillon Cleary cinematography, analysis Dillon Cleary

Blog #43 Cinematography Analysis: Deadpool and Wolverine (2024)

In this post, we’re going over the Marvel film Deadpool and Wolverine—two of the biggest comic-book stars in modern film.

The film has a challenge: merging two different styles together. The Deadpool films tend to be undersaturated, low-contrast movies; while the Wolverine films are dark, gritty movies.

The movie does this successfully, merging the styles together in a unique “Marvel“ way. It’s a pretty, modern looking film, with a lot of action and vast landscapes.

I’m going to go over the top 5 cinematography techniques used in the film. Some are obvious, some not.

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